The Episcopal Actors' Guild is the result of the youthful idealism of several extraordinary individuals. It is the only surviving offspring of the Actors' Church Alliance (ACA), an ecumenical organization founded in 1899 by Walter Bentley, who gave up his career as a young actor to become an Episcopal priest. The ACA, whose emblem was a Bible resting on a volume of Shakespeare, was Bentley's effort to heal the rift between organized religion and the theatre. The very success of the Alliance ironically led to several denominations eventually making separate commitments to performers of their own sects. The remaining members and officers then founded the inter-denominational Episcopal Actors' Guild in 1923, encouraged by Father Bentley and welcomed by the Rev. Randolph Ray, D.D., the newly seated third Rector of "The Little Church Around the Corner." Ray, who was a life-long devotee of the theatre, was pleased to offer the Guild its permanent headquarters, Guild Hall. 

The "Little Church," officially The Church of the Transfiguration, already had an established 50-year relationship with the New York theatrical community. In 1870, Joseph Jefferson, famous for his portrayal of Rip Van Winkle, had requested a funeral service at another Episcopal church for his friend and fellow actor George Holland (1791-1870). Upon learning that the deceased was an actor, the priest refused. After some prodding by the stunned Jefferson, he suggested that "There is a little church around the corner where it might be done." Jefferson responded, with all the dignity he could muster, "Then I say to you, Sir, God bless the little church around the corner." And, indeed, the Rev. Dr. George H. Houghton, who had founded the "Little Church" at age 28, accepted the funeral without question. Across the country, newspapers of the day reported the incident, and even Mark Twain editorialized vehemently upon the matter. For actors across America, the "Little Church" became a spiritual haven, and many leading members of the theatre community adopted it and began to worship there, including the great Edwin Booth, founder of The Players, whose own funeral service took place at the "Little Church" in 1893.

The Guild through the years… During the Roaring Twenties, the Guild served as a social and artistic center for its members while quietly assisting those in need. Among the first leaders of the Guild were many stars of the stage and silent movies, including George Arliss, as first President, Douglas Fairbanks, Mary Pickford and Julia Marlowe. After taking their bows on Broadway, performers would come to Guild Hall for late-night social gatherings. During the early years, several future stars were helped at crucial times in their careers, and later generously remembered the Guild with contributions. During the Forties, Fifties, and Sixties, the Guild continued its charitable programs and fellowship gatherings, and featured afternoon teas for its members. Annual fundraising Theatre Benefits at Broadway shows became an early tradition and were held by the Guild throughout this time.

The Seventies brought the Guild several major bequests, and the dedicated management of its growing endowment enabled the Guild to increase the scope of its activities steadily into the Eighties and Nineties.

We are proud to be able to report that the scope of our charitable programs, as well as of our public support, are growing dramatically with each passing year.


The Episcopal Actors' Guild of America, Inc.
"Charitable help for performers of all faiths"
The shield of the Actors' Church Alliance
Joseph Jefferson
.HOW THE GUILD CAME TO BE ....
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